A Frank Review of M.L. Tyndall's The Restitution:
Book Three of the Legacy of the King's Pirates Series
by Frank Creed

After I've read an excellent novel or author, it takes my brain a while to process things. After reviewing
The Redemption and
The Reliance someone asked me who my favorite novelists were. It was then that I realized M. L. Tyndall's fiction had placed her in my top-three novelists' list. Only George Orwell and C. S. Lewis precede her. A few weeks after coming to this conclusion I received an advance review copy of
The Restitution in my mailbox. Seeing as Tyndall's the only one of my favorite novelists still breathing, you can imagine my delight.
But I was a bit apprehensive—I hate reading the final book in a series and saying goodbye to strong characters that I've come to love—and I really hate when a sequel doesn't do justice. Could she impress me yet again?
After reading Tyndall's first two novels, I knew her gift for action-pacing and characterization was all
Raiders-of-the-Lost-Ark. It's rare that a sequel qualitatively surpasses an original, but
The Restitution is the best of the Legacy of the Kings Pirates series. I'm not even going to waste space with a plot synopsis in this review—all you need to know is that Tyndall writes in a Caribbean pirate setting, with Christian characters. Sails, swords, and ports—very exotic.
There are few Christian novels I consider to be must-reads, but Tyndall's books most definitely qualify. If you liked
Pirates of the Caribbean, don't even bother reading any further; just go to the closest bookstore. Tyndall's meaningful pirate fiction is far better. Here's what MaryLu does so well . . .
Action-Pacing: I already knew that this woman's tales TWIST badder then Chubby Checker with an ice-cube in his shorts, so I made it through seventy pages of
The Restitution just by expecting the unexpected. Then her plot sailed off my charts and blew me out of the water with a broadside. Reading
The Restitution is like putting on a blindfold and riding a roller coaster. My favorite thing about Tyndall's fiction is that anything can happen at any time—you never see it coming. For example, check this setup:
In the following scene, the main character, Lady Isabel, is searching for her kidnapped infant-son. In desperation, she's reluctantly accepts the help of the only person who's offered assistance. A pirate captain named Kent: the child's biological father—he'd sexually assaulted Lady Isabel in The Reliance. Here they have encountered a heavily-laden Spanish slave-ship, which Kent does not want to attack, but his crew is about to mutiny, so he gives in:
"The Restitution swooped down a surging roller. Kent steadied his gaze upon his fleeing prey. Under a full crowd of sail, the sloop made a good run for it, but she sat low in the water. Although her crew members tossed crates and barrels overboard to lighten her load, their efforts would be futile. Hot wind swarmed over him, igniting the excitement of the chase. He braced his boots as the ship thrust boldly into the next swell, sending a spray of foam exploding over the bow. He shook it from his hair. With Isabel aboard, he'd hoped to avoid attacking any ships, but he would certainly put her in more danger should he not keep his voracious crew appeased. He saw the way some of them looked at her. With him out of the way, they wouldn't hesitate to pass her amongst them like a common trollop. Hann stood next to her on the foredeck, grinning like a pirate who'd just found a treasure. The lad leaned in to whisper something in Isabel's ear, and she giggled. Jealousy oozed green in Kent's heart."
Tyndall's layers of action are too thick to count.
Description: Being a lifelong avid reader, and now a novelist, it's so very rare that a writer can entertain me to the point that I'm totally absorbed in a story. Tyndall can still do that to me. She describes with verbs—there is no more powerful method. She sweeps you away from your reading chair, and puts you there. Here we go again:
"A blast of heat blowing in from the land struck Isabel, and she plucked a fan from the sash of her gown and snapped it open. Perspiration dampened her neck and slid down her back, and the fluttering of her fan did nothing to assuage it. She sighed, wishing the ship would move faster, but she knew the entrance to the harbor with all its reefs and cays held many hidden dangers for even the most skilled seaman. Captain Carlton navigated it with ease.
Coming into view on the port side were the golden shores and green fields of Hog Island, named so for the farm animals that were allowed to roam freely there until they were butchered to feed the settlers. The stench of hog and cow dung roasting in the sweltering heat crashed over Isabel, nearly choking her.Holding a hand to her nose, she turned to see the rows of wooden docks punching out into the harbor from the center of Charles Towne."
Characterization: While I admire good action pacing, if I don't care about characters in the action I'll put a book down. If a reader can't identify with, and care for Tyndall's characters, then that reader is obviously a hermit.
The leading Lady Isabel was raised by parents who instilled the values of wealth and title on their daughter. Now that she's given birth to Frederick, an illegitimate son whom she dearly loves, Isabel, a new Christian, is confronted by an inner struggle. Will she bow to her parents' noble values, or will she realize that slaves and servants are also meaningful in God's eyes?
The leading man is a villain from The Redemption and The Reliance. His heart has grown weary of meaningless treasure and power. His assault of Lady Isabel is a millstone around his neck—so much so that he has renamed Vanquisher, his pirate ship, Restitution. Kent's soul is empty and he seeks to fill it with Isabel—by making amends. But he discovers just how powerful Isabel's God is.
Then we meet the new characters. Tyndall has managed to pull off one of the most difficult things in meaningful fiction: philosophical discussion without being preachy. She has Atheist, Theist, and Feminist secondary-characters on board the Restitution. This is usually where Biblical novels take the pulpit and preach to the choir. A Christian novelist's first job is to entertain, and here's where Tyndall struts her stuff. Debating worldviews is nonfiction's territory—she doesn't go there. The situations in which these characters find themselves all lead to dialogues. Experiences are quipped through the lenses of these characters' perspectives, each according to their own natural conclusions. The tension created is all about the characters, and is just part of the story. Without preaching, Tyndall's page turning fiction has as many layers of depth as it does action.
If you enjoy riding out hurricane plot-twists on a pirate schooner, do it with the freshest mistress of Christian fiction—a Lady-Captain with a dagger clenched in her teeth.
My only complaint to Barbour books is that M. L. Tyndall needs to get off the historical romance shelves, and into a place where a younger generation of Christians and seekers can be inspired by her fiction.
Frank Creed—novelist and founder of the Lost Genre Guild